Shampoo Ad

Scene1

In a street all the girls are cutting hairs and making them shorter due to hair falling.

Scene2

dandruff problem but to their surprise they see a person with a long hair, another comes with a Bob Marley style hair, another comes with jogi baba style and thus there are many in the streets with long hair style thus they say "Kaise".

Scene3

The camera comes in front and to everyone's surprise they all were boys and then a background it says,
"jab baal tute nahi and dandruff ka koi nishana nahin to koi bhi baal badha sakta hain to male kyun nahin."

Scene4

Then advertise their shampoo name and describe its plus points.  

RajniGandha & Charulata

Rajni Gandha

The movie is completely focused on the actress, Vidya Sinha. The whole story revolves around her, showing double sided Deepa’s Mind.

RajniGandha is basically a love triangle. It is story of Deepa (Vidya Sinha) who is in love with Sanjay (Amol Palekar). The movie shows the complications of a woman character.

This reunion makes her confused and her life becomes very difficult.

On one side, she wants to be with Sanjay who also loves her very much. Actually meeting Naveen awakens the old first love and buried memories of college romance for Deepa and she starts believing herself to be in love with him, all over again.

Finally after Sanjay’s arrival, she gets out of her dilemma and realizes where her true love is Sanjay, not Naveen.

This story is of confuse indian women story.

Charulata

The film tells the story of a lonely housewife, known as Charu (Madhabi Mukherjee), who lives a wealthy, secluded and idle life in 1870's Calcutta. Her husband, Bhupati (Sailen Mukherjee), runs a newspaper, The Sentinel, and spends a lot more time at work than with his wife. However, he notices that Charu is lonely, and asks his cousin, Amal (Soumitra Chatterjee), to keep her company. Amal is a writer and is asked to help Charu with her own writing. However, after some time, Charu and Amal's feelings for each other move beyond those of a mentoring relationship as Charu begins a latent sexual attraction towards Amal. Amal is unwilling to betray his cousin's trust that has already suffered at the hands of Charu's swindling brother, Umapada. He abruptly leaves, and after Charu hysterically submits to her disappointment in the presence of Bhupati, there is nothing left but for the forsaken woman and her humiliated husband to forge a contrived reconciliation.[1]

Charu is interested in the arts, literature and poetry

We see the young wife Charulata moving from one window to another in her house. She observes the activities of the outside world through the window blinds using opera glasses. She is like a caged bird in her mansion. We sense her curiosity and desire to know the outside world.